Jesper Lovdal mostly plays precise clarinet but also gruff bari, Webster-ish tenor and cool flute. Mark Solborg’s preparations for guitar grasp a wild array of sonic levels: smooth chorale, underripe feedback, feverish pecking at paperclips, detuned strums, a sound like electric ukulele wired to a camera shutter. And Anders Provis’ drums range far and wide from hard mallets, subtle brushes, cymbal outbursts, punchy toms. Tracks called “Tales from the Lawn” suggest...
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